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・ Symphony No. 1 (Bruckner)
・ Symphony No. 1 (Corigliano)
・ Symphony No. 1 (Davies)
・ Symphony No. 1 (Dohnányi)
・ Symphony No. 1 (Dutilleux)
・ Symphony No. 1 (Dvořák)
・ Symphony No. 1 (Elgar)
・ Symphony No. 1 (Enescu)
・ Symphony No. 1 (Frankel)
・ Symphony No. 1 (Furtwängler)
・ Symphony No. 1 (Glass)
・ Symphony No. 1 (Glazunov)
・ Symphony No. 1 (Hartmann)
・ Symphony No. 1 (Haydn)
・ Symphony No. 1 (Henze)
Symphony No. 1 (Herrmann)
・ Symphony No. 1 (Honegger)
・ Symphony No. 1 (Hovhaness)
・ Symphony No. 1 (Ives)
・ Symphony No. 1 (Lilburn)
・ Symphony No. 1 (Lutosławski)
・ Symphony No. 1 (MacMillan)
・ Symphony No. 1 (Mahler)
・ Symphony No. 1 (Martinů)
・ Symphony No. 1 (Mendelssohn)
・ Symphony No. 1 (Michael Haydn)
・ Symphony No. 1 (Milhaud)
・ Symphony No. 1 (Mozart)
・ Symphony No. 1 (Myaskovsky)
・ Symphony No. 1 (Nielsen)


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Symphony No. 1 (Herrmann) : ウィキペディア英語版
Symphony No. 1 (Herrmann)
Symphony No. 1 is a four-movement orchestral composition by American composer Bernard Herrmann. The work was jointly commissioned in 1940 by CBS and the New York Philharmonic and was completed March 29, 1941, though Herrmann revised the work in 1973. It premiered July 27, 1941 at the CBS Radio Theater, with Herrmann conducting the CBS Symphony Orchestra. Though he would continue to compose concert music and film scores throughout his later life, the symphony would be Herrmann's last foray into nonprogrammatic music.〔Smith, p. 88-89〕
==Style and composition==
The symphony has a duration of roughly 35 minutes and is composed in four movements:
#Maestoso: Allegro pesante
#Scherzo
#Andante sostenuto
#Rondo: Epilogue à la processional
On the experience of composing absolute music, Herrmann said, "For the first time I was not confined to the outline of a story. It was not necessary to depict waves, portray the anguish of a lost soul, or look for a love theme... Consequently, working on the Symphony I had a Roman holiday."〔 Albert Imperato of ''Gramophone'' compared the music favorably with that of other 20th century composers Samuel Barber, William Walton, and William Schuman.

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